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Sunday, April 26, 2020 | History

4 edition of Self-speaking in medieval and early modern English drama found in the catalog.

Self-speaking in medieval and early modern English drama

subjectivity, discourse, and the stage

by Richard Hillman

  • 227 Want to read
  • 35 Currently reading

Published by St. Martin"s Press in New York .
Written in English

    Subjects:
  • English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism.,
  • Subjectivity in literature.,
  • English drama -- To 1500 -- History and criticism.,
  • English drama -- 17th century -- History and criticism.,
  • Self in literature.,
  • Discourse analysis, Literary.

  • Edition Notes

    Includes bibliographical references (p. 284-300) and index.

    StatementRichard Hillman.
    Classifications
    LC ClassificationsPR658.S79 H55 1997
    The Physical Object
    Paginationx, 309 p. ;
    Number of Pages309
    ID Numbers
    Open LibraryOL661452M
    ISBN 100333628993, 0312175523
    LC Control Number97006895

    This chapter discusses autobiographical memory and the pictures of the mind (e.g., as a repository of ideas) it can promote. It also details the long-engrained picture of the theatre of consciousness, the metaphor of objects before the mind and Donald Davidson's critique of this, and the empirical conception of the experiential content of first-person memory.


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Self-speaking in medieval and early modern English drama by Richard Hillman Download PDF EPUB FB2

This book documents the changing representation of subjectivity in Medieval and Early Modern English drama by intertextually exploring discourses of 'self-speaking', including soliloquy. Pre-modern ideas about language are combined with recent models of subject formation, especially Lacan's, to theorize and analyze the stage 'self' as a Cited by: This book documents the changing representation of subjectivity in Medieval and Early Modern English drama by intertextually exploring discourses of 'self-speaking', including soliloquy.

Pre-modern ideas about language are combined with recent models of subject formation, especially Lacan's, to. This book documents the changing representation of subjectivity in Medieval and Early Modern English drama by intertextually exploring discourses of 'self-speaking', including soliloquy.

Pre-modern ideas about language are combined with recent models of subject formation, especially Lacan's, to theorize and analyze the stage 'self' as a. This book documents the changing representation of subjectivity in Medieval and Early Modern English drama by intertextually exploring discourses of 'self-speaking', including soliloquy.

Plays range from the Corpus Christi pageants to the Beaumont and Fletcher canon, with Shakespeare a recurrent focus and Hamlet, inevitably, the pivotal text.

In his introduction, Hillman sets u p a number of connections between Early Modern dramatic self-speaking and Lacan's subject formation. H e suggests that the Renaissance uses of the mirror and book as m e t o n y m y for identity '[intersect] with the Lacanian paradigm' for the constitution of subjectivity.

Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse and the Stage. Basingstoke, Hampshire: Macmillan; New York: St. Martin’s, pp. ISBN 3/. This is a book about the discursive practices associated with what I will call ‘self-speaking’ on the English stage, from that stage’s Medieval origins to the closing of the theatres in More particularly, my concern is with the representation of subjectivity, and this means, to some extent, talking about subjectivity itself.

This book is an important reading for students, scholars, and teachers of modern Indian history, economic history, and sociology. Self-Speaking in Medieval and Early Modern English Drama Author: Darshan Vigneswaran.

RICHARD HILLMAN is Professeur, Université François-Rabelais Centre d'Études Supérieures de la Renaissance, and and editor of the journal Renaissance and previous books include Shakespearean Subversions, Intertextuality and Romance in Renaissance Drama, William Shakespeare: The Problem Plays, Self-Speaking in Medieval and Early Modern English Drama and translations from.

Questions concerning whether Shakespeare wrote for the stage or the page are a perennial issue in Shakespeare studies. Part of the problem rests on expectations of literature and theatre. These expectations are in fact voiced in Shakespearean drama itself, a drama that often articulates ideas concerning audience expectations.

In Shakespeare’s Troilus and Cressida, before Troilus visits. Comparative Drama Drama makes an original and deeply thoughtful contribution by establishing a link between dramatic and political representation.

CYNTHIA MARSHALL Rhodes College Richard Hillman. Self-Speaking in Medieval and Early Modern English Author: Sara Eaton. An original book examining the concept of the Devil in English culture between the Reformation and the end of the English Civil War.

Nathan Johnstone looks at the ways in which beliefs about the nature of the Devil and his power in human affairs changed as a consequence of the Reformation, and its impact on religious, literary and political : Nathan Johnstone.

A 'read' is counted each time someone views a publication summary (such as the title, abstract, and list of authors), clicks on a figure, or views or downloads the full-text. Self-Speaking in Medieval and Early Modern English Drama: Subjectiv ity, Discourse and the Stage, by Richard Hillman.

New York: St. Mar tin's Press, Pp. x + Cloth $ Reviewer: Jonathan Baldo In his fourth book, Richard Hillman builds on his earlier work on intertextuality in Renaissance drama to explore changing construc. RICHARD HILLMAN is Professeur, Université François-Rabelais Centre d'Études Supérieures de la Renaissance, and and editor of the journal Renaissance and previous books include Shakespearean Subversions, Intertextuality and Romance in Renaissance Drama, William Shakespeare: The Problem Plays, Self-Speaking in Medieval and Early Modern English Drama and translations from Cited by: 9.

You can write a book review and share your experiences. Other readers will always be interested in your opinion of the books you've read. Whether you've loved the book or not, if you give your honest and detailed thoughts then people will find new books that are right for them.

Richard Hillman Richard Hillman is Professor at the Université François-Rabelais, Tours, France. His books include Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse and the Stage (Macmillan, ) and several works focusing on links between early modern England and France: Shakespeare, Marlowe and the Politics of France (Palgrave Macmillan, ), French Author: Richard Hillman.

Clare, Janet // Review of English Studies;May99, Vol. 50 Issuep Reviews the book `Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse and the Stage,' by Richard Hillman.

Shakespeare's Clown: Actor and Text in the Elizabethan Playhouse. King, T.J. // Shakespeare Quarterly;Winter88, Vol. 39 Issue 4, p As befits what is evidently a revised doctoral dissertation, Lee's book is at once wide-ranging and curiously circumscribed, devoting more attention than is due to Hamlet criticism in English, while for the most part ignoring developments in both philosophy and psychoanalysis in which Shakespeare's play has figured prominently.

the cambridge history of EARLY MODERN ENGLISH LITERATURE This is the first full-scale history of early modern English literature in nearly a century.

It offers new perspectives on English literature produced in Britain between the Reformation and the Restoration. The Bed-Trick in English Renaissance Drama: Explorations in Gender, Sexuality, and Power. 'Rooted Sorrow': Dying in Early Modern England. The Rest is Silence: Death as Annihilation in the English Renaissance.

Drama in Early Tudor Britain:Self-Speaking in Medieval and Early Modern Drama: Subjectivity, Discourse and the Stage. Richard Hillman is a professor of English at the Université François-Rabelais in Tours, France.

His previous books include Self-Speaking in Medieval and Early Modern English Drama. Colette Quesnel is affiliated with the Université du Québec à Montréal. She is the author of Mourir de rire d’après et avec er they translated and edited Preface to the Essays of Michel de.

Explore books by Richard Hillman with our selection at Click and Collect from your local Waterstones or get FREE UK delivery on orders over £ Renaissance Drama (), initiated what has become a vigorous debate within early modern English studies: the nature of the early modern sub-ject, as the titles would indicate, and even its existence.

Self-Speaking in Medieval and Early Modern English Drama represents Richard Hill-man's attempt to enter into this debate. His is an ambitious.

The Oxford Handbook of Medieval Literature in English (Oxford Handbooks in Literature) Elaine Treharne, Greg Walker (editors) The study of medieval literature has experienced a revolution in the last two decades, which has reinvigorated many parts of the discipline and changed the shape of the subject in relation to the scholarship of the.

The Unmasking of Drama: Contested Representation in Shakespeare's Tragedies, by Jonathan Baldo Cynthia Marshall Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse, and the Stage, by Richard Hillman. He has published numerous articles and several monographs, most recently Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse and the Stage (Macmillan, ) and Shakespeare, Marlowe and the Politics of France (Palgrave-Macmillan, ).

He has also translated four French political. The Homoerotics of Early Modern Drama. By Mario DiGangi. Cambridge and New York: Cambridge University Press, DiGangi's book, an account of same-sex affective relations in early modern drama in England, questions the centrality that "sodomy" has assumed as a discursive category in previous studies of such relationships.

Only in the first Quarto of The Merry Wives of Windsor () and in that of Pericles () can the stage direction “aside” be found. Nevertheless it is abundantly present in modern editions of Shakespearean plays, starting from Shakespeare’s first editors in the eighteenth century.

Scholars have defined various categories for this particular theatrical convention (monological, ad. Self-speaking in medieval and early modern English drama: Subjectivity, discourse and the Stage. by Richard Hillman. Gabriel E Abad: Aldous Huxley recollected: An oral history by David king Dunaway & Critical essays on Aldous Huxley edited by Jerome Meckier.

Andrew Miller: Elizabeth Gaskell. by Kate Flint. Abstract Only in the first Quarto of The Merry Wives of Windsor () and in that of Pericles () can the stage direction “aside” be found.

Nevertheless it is abundantly present in modern editions of Shakespearean plays, starting from Shakespeare’s first editors in the eighteenth century. Scholars have defined various categories for this particular theatrical convention (monological Author: Roberta Mullini. His books include Self-Speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse and the Stage (Macmillan, ) and several works focusing on links between early modern England and France: Shakespeare, Marlowe and the Politics of France (Palgrave Macmillan, ), French Origins of English Tragedy and French Reflections in.

self-Speaking in Medieval and Early Modem English Drama: Subjectivity, Discourse and the Stage. Sex and Sexual Attitudes in Seventeenth-Century England." (). Sex and Subordination in England Author: Julie Sutherland.

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Apology for the Woman Writing and Other Works [Marie le Jars de Gournay, Richard Hillman and Colette Quesnel]. During her lifetime, the gifted writer Marie le Jars de Gournay () was celebrated as one of the "seventy most famous women of all.

Richard Hillman is the author of William Shakespeare ( avg rating, 3 ratings, 0 reviews, published ), Shakespearean Subversions ( avg rating, /5. Discover Book Depository's huge selection of Richard Hillman books online. Free delivery worldwide on over 20 million titles.

We use cookies to give you the best possible experience. Self-Speaking in Medieval and Early Modern English Drama. Richard Hillman. 30 May Hardback. Read "Books Received, Parergon" on DeepDyve, the largest online rental service for scholarly research with thousands of academic publications available at your fingertips.

Introduction. This book uncovers a mode of reception that became second nature to the audiences of Shakespeare and his contemporaries, and that entertained and fostered their creations. It is the first book-length historical study of early responses to English Renaissance drama.

Medieval and Renaissance Drama in England. [Online] 20, Available from: ProQuest Literature Online [Accessed 17th May ]. Hillman, R. () Self-speaking in Medieval and Early Modern English Drama: Subjectivity, Discourse and the Stage. USA, St Martin’s Press, Inc. Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service.

Public users can however freely search the site and view the abstracts and keywords for each book and chapter. Please, subscribe or login to access full text content.A Time for Changes by Robert Silverberg is difficult to rate and even more difficult to review. I can begin by saying that I liked it.

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of Self-Speaking in Medieval and Early Modern Drama, by Richard Hillman, and Historiography and Ideology in Stuart Drama, by Ivo Kamps, Renaissance Quarterly (): Rev. of Lear from Study to Stage: Essays in Criticism, ed. James Ogden and Arthur H. Scouten, Sixteenth Century Journal ():